by Mr. Perfect » Wed Jan 05, 2011 5:23 am
I think you've really hit the nail on the head. For me the business/career management of show biz is far more interesting than the product, and is about the only pop culture I've ever really been interested in, but even then it is pretty limited.
When you get to a certain point in your art, for a lot of people it becomes really a letdown. After you've learned all the songs, discovered the tricks in writing them there can be a real let down. A lot of people don't know how to handle it. I don't. I still like it, but when I play all I can think about is the trickery, which is not particularly interesting once it becomes second nature. I can blow through solos that took me a year to learn while thinking about how much laundry I have at home. You can see it in people when they do their thing. Going through the motions. Searching for the drug that used to get you so high, in futility. Some people respond with denial, like say U2 or Spielberg (I'm doing something important. Relevant. I'm serving something larger than myself). Some people stay in the grind (like Motley Crue), resigning themselves to it, and justify continuing because it's "their job".
It's all over the music biz. If you grind to the beat a little harder, that beat that is 40 years old and feels older, then maybe it means something. Hit that chord progression one more time that spawned a few thousand songs before. For a lot of guys it's just still being in the game, because the alternatives are so seriously humiliating after you've seen your name in lights.
The Constitution is not an instrument for the government to restrain the people, it is an instrument for the people to restrain the government - lest it come to dominate our lives and interests Patrick Henry
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